Showing posts with label free critical essays. Show all posts
Showing posts with label free critical essays. Show all posts

Tuesday, May 10, 2011

Critical Essay Example on Coming Home Again

Free Critical Essay Sample

In the essay Coming Home Again by Chang-Rae Lee, the author tells of his deep connection with his mother through food. Through Lee's eyes, his mother is a woman whom he deeply loves and respects. She is very involved in his life. As close as she is involved in his life, the author implies that he and his mother are never particularly on the same level. Lee's mother wants to give him an edge in life as an American by sending him to a boarding school in New Hampshire. In doing this however, Lee's mother sacrifices the relationship she has with the author. The author, who is oblivious to his mother's feelings at the time when he was away at Exeter, reevaluates at the end of the essay whether becoming successful in an American society is worth the time lost between his mother and his Korean culture. Through native Korean foods, such as "Kimchi", and the simple preparation of the recipe "Kalbi", the author feels as if he can truly relate to his mother and their culture. Lee conveys these ideas through the use of first person point-of-view, symbolism, and imagery.

By using first person point of view, the author makes the reader feel the bond between him and his mother on a more profound level. The author uses point of view most effectively when he describes the actual process of preparing food. "I would enter the kitchen quietly and stand beside her, my chin lodging upon the point of her hip. Peering through the crook of her arm, I beheld the movements of her hands"(450). The first person point of view gives the reader a sense of being in the same room witnessing the food preparation, which then in terms leads to the understanding of the author's strong feelings behind cooking and his mother.

Symbolism plays an important role in this essay. The author includes the procedures of making the "Kalbi" to symbolize numerous things in the essay. Such things are the relationships of both mother and child to one another, some events that occurs and the characters in the essay as well. The phrase "with the point of her knife cut"(450) and "she thrust her hands in and kneaded the flesh"(450) symbolizes a conflict in the author's relationship with his mother. The word "bone"(450) symbolizes the author himself and the "barest opaque layer of tendon" symbolizes the author's relationship with his mother as being feeble. The way a part of the essay is written also mirrors the procedures in the recipe. Such likeness are seen in the phrase "She wiped her hands and took out a bottle of sesame oil, and, after pausing for a moment streamed the dark oil in two swift circles around the bowl"(450). The first paragraph on page 454 starts the two conflicts that the author talks about in the last part of the same paragraph and in the following paragraph. The wiping of hands, and taking out a bottle of sesame oil reflects how the author removes his childhood attitude and shifts to a teenage one, which is referred to as the "dark oil", which is "dismissive and bitter"(454) The "two swift circles" represent the two conflicts the author does to his mother during his childhood. On one of the quotes the mother says while the author was observing her, ""the meat needs the bone nearby," she said, "to borrow its richness,"" tells us that the mother needs his son (the author) nearby, because that is the person she gets her happiness from. The phrase "She wiped her hands clean of the marinade"(451) symbolizes how the author tries to forget about the conflicts he and his mother had. On the other hand, he doesn't forget about the wonderful moments he had with his mother, which is represented on the phrase "except for her little finger"(451). The phrase "which she would flick with her tongue from time to time"(451) symbolizes the author's often visits to the highway where his mother died. And finally, the phrase "because she knew that the flavor of a good dish developed not at once but in stages" represents a portion of the essay showing how the author shows us how he develops the importance of his mother to him, which is stated on the following phrase, "but those years I was away at boarding school grew more precious to her as her illness progressed"(457). The recipe is a combination of the mother's current life, the conflicts and how she succeeds in gaining the strong relationship between her and her son and through these, the author relates to his mother.

Lee uses imagery to an extent where situations in the essay give the reader a better feeling of what is occurring. One reason why he uses imagery is to relate to his culture. An example of this is in the scene where he and his parents were in the motel, and the author opens the container with radish kimchi, as shown in the following sentence. "I opened a container of radish kimchi and suddenly the room bloomed with its odor, and I reveled in the very peculiar sensation of simultaneously drooling and gagging as I breathed it all in" (456). These images show how Lee's culture gradually conquers the atmosphere of the room. The food served in Lee's welcoming dinner, found on the third paragraph on page 456, shows images of how his mother tries to bring their culture back to Lee's mind through serving authentic Korean dishes. Another purpose of imagery in the essay is to show the death of the author's mother. "He then heard a strange sound from her, a kind of muffled chewing noise, as if something inside her were grinding its way out." This sentence shows Lee's mother's death that shows imagery that creates a mourning atmosphere. Most of the images that Lee includes in his essay are representation of how his culture slowly comes back to his memory, and how his mother's death affects him.

Lee created his essay to commemorate his mother. He includes the conflicts to show how he treats his mother, the recipe to symbolize his mother's current life with him, and to show how he manages to have a better bond in their relationship, and specific images to give the readers a better feel of the situation. The author's main point in putting some Korean food was made is to show how those things eventually brought him back to his culture, even though his culture changed while going to school in America. On the other hand, his objective of writing the procedures of making Kalbi in detail is to represent his relationship with his mother. With the use of first person point-of-view, symbolism and imagery, the author manifests his purpose of relating to his mother and his culture through a simple yet meaningful recipe called Kalbi and other Korean dishes mentioned in the essay.

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Sunday, January 16, 2011

Critical Essay on Emily Dickinson

Critical Essay on Emily Dickinson

In her poem, "The Soul has Bandaged moments" Emily Dickinson portrays the idea of a women's soul fighting for freedom and then stepping down from her platform. Dickinson personifies the Soul as a female entity torn between Fright and a Lover. In this poem Dickinson possesses the desire to fight against social standards imposed on women and the stereotypes of feminine behavior. The Soul is rendered helpless by fear at first, but finds the strength to break free. The freedom to love is described as seeming perfection, yet it is not without its dangers.

The poem shows the female souls rebellion and the happiness that it brings when she finally breaks down to the "Lover". This happiness is stifled, however and the cause is not clear. Poem #512 works to suggest that along with unbridled passion come vulnerability, the risk of loss, and thus a new cause for fear. The woman figure in the poem is described as being intimidated by the idea of letting herself go so freely, which would go against her socially taught norms of constraint.

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Through her use of imagery Dickinson is able to show how intimidation leads her Soul to feel captured after a moment of break through. Dickinson depicts Fright as a powerful hindering force in the first two stanzas. Its presence leaves the Soul "Bandaged" and "appalled", both bound as well as weakened and terrified (1-2). The idea of shock is further supported by Fright's "ghastly" appearance (3). Fright is a mischievous "Goblin" with "long fingers" (5-7). Not only is fear a demon, but also one who has a threatening grasp. The grasp of the Fright comes up and it stopped "to look at her" (4) This judging can be related to the strict ways society judged women's actions. Ambition and the "moments of Escape" were not condoned. Society's standards impose such a fear to her Soul that it freezes her hair, a sign of femininity. The Soul is so imposed by and scared of the looming Fright that it hinders her natural self. It is Fright that confines the Soul and hinders her unrestrained expression of Love. Dickinson could be expressing all of these feelings of fear to play along with the feminine themes of the time. The word "Lover" implies a sinful sexual relationship and supposedly this would scare an innocent lady.

The poem describes a moment of freedom between feelings of horror and fright and in this moment the Soul is able to be free like sound. This is shown in Dickinson's use of the word "Bomb" (13). The word is appropriate not only because it is an explosive device but also it could relay the image of a church bell that "swings upon the hours" (14). This image makes the figure more powerful and gives the woman control over time. She has the liberty to decide the hours and counts them in a song. Yet, through her song she also revealing her whereabouts and precipitating her capture. The swinging has a double meaning in that it brings forth images of the gallows and death which is where the Soul will soon return.

Dickinson's bee metaphor seems to imply the Soul does not know quite what to do with her freedom. The movements of a bee are quick and "delirious borne" portrays the idea that she is too overwhelmed with happiness to make a decision. Like the Soul of a women one would assume the bee enjoyed its place in society. The job of the bee is to pollinate roses, which implies motherhood for a woman's soul. Yet the rose is described as a dungeon and the bee wants to taste liberty instead of being nurturing to a flower. This indirectly critiques the social expectations of womanhood. In escaping the female soul is able to "touch liberty" and all senses are aroused for the reader to a point where the reader can understand the delirious feelings of the woman. Yet, the freedom seems perfect. Dickinson uses the image of noon to represent the day at its brightest, the sun at its highest, and a feeling of warmth. Paradise, in the same way, is the pinnacle of perfection and pleasure.

The pleasure she feels through freedom lasts only a short while before the Soul submits again to the constrains of social norms. The Soul's break through contains images that are furthered in the third stanza. The lines, "When, Felon led along, / With shackles on the plumed feet" reinforce the earlier lines "swings upon the hours" and show the double meaning behind the freedom she momentarily felt. She has committed a crime against standards and these moments are "retaken" by her imposers. The tone is one of tired submission. Being "Bandaged" seems more like a caring, healing practice, rather than a binding one (1). The Soul is called a "Felon" (20), perhaps having committed the crime of feeling too much. She is "led along" (20) in shackles, yet being led relieves the pressure of having to choose her own path. Fright's "Salute" and "Caress" of the Soul become gestures of acknowledgment and affection, and thus reassuring (5-6). The "Horror" indeed "welcomes" her back again (23). Captivity here is a haven, as ungoverned "Liberty" seems too threatening (17). By choosing fear, the Soul avoids the possibility of losing all control, being completely vulnerable, and getting hurt.

The rhyme scheme of the poem correlates with the freedom experienced in the third and fourth stanza. In the first two stanzas there is almost perfect rhyme: "her" and "stir" and "hair", "o'er", and "fair". Then the poem escapes the confines of rhyme as the Soul escapes her Fright of love. When "retaken" (19) by Fright in the sixth stanza, perfect rhyme returns. Dickinson is able to show through her use of rhyme scheme how she as a poet is constrained in the same way that she is constrained as a lover, through social standards.

The diction in the last two lines signifies the extinction of her freedom. The word tongue extends the song images of the earlier stanzas, yet this time she is without the power of her tongue and therefore song. The bells have stopped ringing and there is no celebration when her captivity resumes. The word "brayed" is associated with the harsh, piercing sound a donkey makes, but the word "not" implies she is silenced beyond the degree of animals. The Soul is forced to be completely silent and submissive in her world of pain.


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